Huey Mnemonic
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Ash Arder – Flesh Tones
Photo: Amelia Burns
Above you can listen to the soundscape I created to accompany Ash Arder’s Flesh Tones exhibit at Cranbrook Museum. The soundscape is meant to serve as a fully immersive, in-utero auditory experience at the General Motors assembly plant where her parents worked. Bringing together sounds of the automotive factory, 1987 pop culture, and the warmth of the womb. I also gave a lecture with Ash breaking down process of creating the piece from a technical and conceptual standpoint. By isolating the different layers of the soundscape I showed how they interact with one another and their invidual audio processing.
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Keyon Lovett – 456: A Reflection on Fatherhood
Photo: Tanasia Lovett
For Keyon Lovett’s 456: A Reflection on Fatherhood, I created a soundscape that moves through the emotional terrain of absence, memory, and renewal. I used a combination of acoustic and synthesized percussion, instances of noise, sequenced motifs, and elements of jazz. The composition traces feelings of heartbreak, anxiety, and isolation, while also making space for moments of warmth, hope, and connection. The result is a sonic complement to Keyon’s installation, shaped by both longing and love. The work went on to receive a Visibility Award at ArtPrize.
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